Conner's Days - Limited Edition Compact Disc

from Ari Hoenig

Compact Disc (CD) + Digital Album

Ari Hoenig (d), Nitai Hershkovits (p), Or Bareket (b)

As a kid, I used to take trips to the west coast with my parents, visiting family friends and camping at national parks etc… This trio met in 2017, began playing gigs together and soon we had our first “West Coast Tour” at the end of 2017. We repeated the experience in 2018 with fewer mistakes and a deeper musical repertoire. Conner was there from the first trio tour and for the following tour as well. As a kind soul who appreciated the music, he drove us around in Southern California from gig to gig and offered us nice accommodations. He will always be directly associated in my mind with our west coast touring tradition."

—Ari Hoenig


Tracklist

01. Conner’s Days (Ari Hoenig) 2:14
02. All the Things You Are (Kern-Hammerstein II) 5:51
03. Anymore (Ari Hoenig) 6:04
04. Prelude To a Kiss (Ellington-Gordon Mills) 5:01
05. For Tracy (Ari Hoenig) 5:31
06. Figuration (Hoenig-Hershkovits-Bareket) 5:09
07. Bewitched, Bothered and Bewildered (Rodgers-Hart) 4:02
08. All of You (Cole Porter) 5:06
09. Guernsey St. Gooseneck (Ari Hoenig) 6:37
10. In the Wee Small Hours of the Morning (Mann-Hilliard) 4:21
11. Up (Ari Hoenig) 2:25
12. Conner's Days [Reprise] (Ari Hoenig) 1:58


Personnel:

Ari Hoenig (drums), Nitai Hershkovits (piano), Or Bareket (bass).
Recorded at Big Orange Sheep Studios, in Brooklyn, New York, on November 22, 2017

Engineered, mixed & mastered by Michael Perez-Cisneros
Edited by Alex Haley

Produced by Ari Hoenig
Executive Producer: Jordi Pujol

Includes unlimited streaming of Conner’s Days via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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  $20 USD or more 

 

about

Ari Hoenig New York, New York

Ari Hoenig is a jazz drummer, composer and educator known for his unusual and intense approach to drumming emphasizing complex rhythms in direct harmony with other group members.
Ari is widely noted particularly for his drumming not being relegated to just keeping tempo, or being a side issue to the music he plays in, but rather for elevating drumming as an indispensable part of the performance.
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